By Professor Philip H Highfill Jr PhD, Professor Kalman A Burnim PhD, Edward A. Langhans
Volumes 3 and 4 of this monumental paintings comprise complete entries for all such illustrious names as these of the Cibbers—Colley, Theophilus, and Susanna Maria—Kitty Clive, and Charlotte Charke, George Colman, the Elder, and the more youthful, William Davenant, and De Loutherboug. yet the following are also complete entries for dozens of vital secondary figures and of teenage ones whose tales have by no means been instructed, in addition to a census (and at the least a number of recoverable proof) for even the main inconsiderable performers and servants of the theatres.
As within the earlier volumes during this distinguished sequence, the accompanying illustrations comprise a minimum of one photograph of every topic for whom a portrait exists.
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Additional resources for A Biographical Dictionary of Actors, Volume 3, Cabanel to Cory: Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800 ... Dictionary of Actors & Actresses, 1660-1800)
Stuppi was published at Milan in 1837. Page 10 Details of Caffarelli's career and exploits on the Continent may be found in the Enciclopedia dello spettacolo and in Heriot's The Castrati in Opera. Caffariello. See CAFFARELLI. Cafferielli. See CAFFARELLI. Cagle. See KAYGILL. Cahusac, William Maurice [fl. 17941829], musician, music publisher, instrument maker, singer? William Maurice Cahusac was listed by Doane's Musical Directory in 1794 as a ''canto," living at No 24, James Street, Westminster, a member of the Academy of Ancient Music, and a participant in the Academy's concerts, as well as a member of the Chapel Royal Choir.
On 9 August 1673 he was playing, apparently, Don Lewis in The Man's the Master. John Downes the prompter described in 1708 what happened on stage: Mr Cademan in the Play, not long after our Company began in Dorset-Garden; his Part being to Fight with Mr Harris, was Unfortunately, with a sharp Foil pierc'd near the Eye, which so Maim'd both the Hand and his Speech, that he can make little use of either; for which Mischance, he has receiv'd a Pension ever since 1673, being 35 Years a goe. , the equivalent of his regular salary in the 1660s.
At Covent Garden Theatre on 25 May 1799 "Miss E. and Miss H. Cabanel" were featured dancers. During the evening Eliza and Harriot danced with Bologna Un pas Page 2 de trois, Harriot danced Un pas seul sérieux, and Eliza and the male dancer Platt did Un pas seul de demie caractère. But they did not confine their efforts to Covent Garden, for the Monthly Mirror of April 1799 commended ''the light fantastic toe of Miss H. Cabanels" as "the columbine" at Cross's New Royal Circus, and a bill of the Circus dated 29 May 1800 first called Harriot Mrs Helme.
A Biographical Dictionary of Actors, Volume 3, Cabanel to Cory: Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800 ... Dictionary of Actors & Actresses, 1660-1800) by Professor Philip H Highfill Jr PhD, Professor Kalman A Burnim PhD, Edward A. Langhans